Mysterious 8,000-Years-Old Rock Art In Utah Depicts Huge Unearthly Figures

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The petroglyphs of Sego Canyon in Utah were painted and carved by Native Americans over a period of around 8,000 years. Those strange alien forms are still on exhibit, provocative, mysterious, and enduring memories of the individuals who once resided here. These carvings have more than 80 towering and eerie life-size figures without arms or legs or with hollowed-out or missing eyes.

Three different tribes who resided in the region — the Utes, Fremont, and Archaic peoples — created the rock art that can be seen on Sego Canyon’s walls over the course of centuries. Many people who seek more contentious theories claim that the highly odd petroglyphs seen in this place are representations of extraterrestrials that our ancestors saw. However, many prominent scientists believe that these strange, almost ghostly figures carved into the canyon walls were created by shamans or other spiritual leaders while they were experiencing an altered state of consciousness, maybe brought on by the use of natural hallucinogens.

Sego Canyon’s rock art can be classified into a variety of individual styles and historical eras. The Archaic period, which lasted from 6,000 BC to 2,000 BC, produced the oldest works of art. Archaic people are credited for creating some of the most amazing examples of rock art in the Southwest. They were nomads who foraged for wild vegetation and gathered and prepared large and small game animals. Instead of constructing permanent homes, they lived in open-air caves and little brush shelters. (Source)

Petroglyphs Of Unknown Beings Of Sego Canyon
Archaic Rock art: Image credit: Atlas Obscura

It is unknown what Native Americans were thinking when they created anthropomorphic (humanlike) creatures that were larger than life and lacked eyes, limbs, and legs in their rock art. Other portrayed individuals feature legless torsos, antennae, earrings, bug eyes, and snakes in their hands.

Some of the petroglyphs were made by the Fremont Indians, who lived in the Four Corners region from around A.D. 600 to A.D. 1250 and were contemporaneous with the Anasazi Culture. Fremont Indians frequently resided in harsh environments, but they were skilled at adjusting to their surroundings. Because of their tight ties to nature and its alterations, they had to be extremely adaptable and flexible in order to quickly shift their way of life.

Fremont petroglyphs and pictographs depict animal-like characters including deer, dogs, bighorn sheep, birds, snakes, and reptiles, as well as trapezoidal figures with limbs, legs, and fingers that are adorned with headdresses and necklaces. Additionally, the Fremont Indians created intriguing little clay miniatures of individuals that were adorned with necklaces, ear bobs, pendants, clothing, and hair. Although the function of these figures is still a mystery, it has been claimed that the Fremont people may have used them in fertility or religious rites.

The “Buckhorn Wash Angels” or “rain angels,” another strange collection of photographs, feature a variety of figures that appear to have wings or power emanating from them, however, the actual meaning is ambiguous.

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